Of all the social networks, Instagram is by far my favorite way to learn about wine — and probably more importantly, the people in wine. It can be super fun to ogle at bottle shots (I’m certainly guilty of posting many of those) or follow winemakers during harvest, but it’s the accounts that teach me a little something or show off a creative way to look at wine, that I really appreciate. Here are three of the accounts I’m currently crushing on. Leave me a comment with the accounts that make you happy.
When you enjoy wine and start to acquire or collect it, it’s easy to fill up your space pretty quickly. And if you’re like me, you often save a bottle or two to share with specific people, or a specific occasion. But then those opportunities don’t quite come the way you imagined, or a bottle gets pushed to the back and you forget about it or your tastes start to change and all of a sudden your favorite wine is just meh.
Chances are, that’s happening to your friends, too. So now that shipping season is here (the few months a year when the weather won’t ruin the wine on the back of a delivery truck because it’s too hot or too cold), it’s not unthinkable to admit that you may have gotten a bit carried away and now have nowhere to put your wine, unless you like making cardboard box towers in your living room.
To combat this purely first-world problem, some friends decided to throw a Clear the Cellar Party and invited about a dozen (plus or minus) wino-s to bring a random assortment of wines they wanted to get rid of, but didn’t necessarily just want to pour them down the drain.
We had close to 100 bottles of wine open and probably another 20 that we failed to uncork. The results were nothing short of epic, not so much because the wines were amazing — in fact, many turned out to be just so-so (and there was at least a case of undrinkable wine) yet the diversity of wines and curiosity it provoked made the tasting that much more fun.
Not to mention, there was an absence of stress that often comes with wanting to impress others with the bottles you brought. So, what’s usually a gathering of fun, super laid-back people, was even more relaxed. That translated to more laughs, more fun and an evening to remember.
Want to throw a similar party for your friends? Here are some tips based on what contributed to our success:
* Give guests several weeks notice so they can really dive into their cellars and pull the bottles they want to bring (or maybe locate bottles they are curious about trying — we really had no definition of what “clearing the cellar” should mean).
* Find the right kind of space to throw the party. This is not an event to combine with a restaurant or seated meal. Somebody’s home or backyard will do. My friends reserved the community room in their condo building, pushed several long folding tables together, and it was perfect.
* When the wines arrive, don’t try to organize the bottles too much. Loosely group them in order from light whites to deep, dark, brooding purple. Don’t push the tables against the wall. Having space to walk on either side of the table meant there was never any crowding.
* Plastic utility buckets make wonderful spit and dump buckets. Our host was diligent about dumping the buckets when they were about halfway full, too. That insured no splashing and no accidental spilling. (Oh, and come to grips, you’re going to dump a lot of wine, and that’s perfectly okay! In fact, it’s the responsible thing to do.)
* Food. You need food to ensure your friends don’t over indulge. We had two big plates of cheese and charcuterie to snack on right away. Then, later on in the evening, some other goodies were served: pulled pork, a chicken dish, brisket and a bunch of sides and salads. We did everything pot-luck style. There was room to sit and eat, but it wasn’t a seated dinner.
* Find a corner of shame. It’s inevitable, there will be some duds. And it will be sad. So once a couple people have tasted the offending the wine and agreed, we banished the wine to a far corner of the room. Yes, it’s heartbreaking to see these bottles here — especially the ones with significant age. But it allowed us to pay our respects, and helped others decide what not to taste.
* Be really fabulous hosts. I can’t thank our hosts enough for all the hard work they put into planning and keeping things running smoothly throughout the night.
What happens when you put 145 wine producers from all over the world inside a Brooklyn warehouse who all share common winemaking (and growing) values? You get 145 different points of view, often with wild flavors and textures to match. I wouldn’t have expected anything less from the Raw Wine Fair. And neither would the hundreds of wine professionals, industry insiders and enthusiasts who eagerly made their way from table to table, tasting a handful of wines from each producer, using the well-placed spit buckets and overwhelming the winemakers who were proudly pouring and answering questions.
The calm before the storm as people begin to arrive for the second day of Raw Wine.
When I interviewed Raw’s founder Isabelle Legeron about a week before the fair, she told me, “Growers have felt very confident to showcase their wines with us because they knew it wouldn’t be an event where people would be getting rowdy and drunk. They’d be appreciating the wine.”
She was exactly right. Those attending Raw weren’t hogging the stations, or elbowing each other to get in. At busier spots, people patiently waited their turn. Often times, if you approached a crowded table and just motioned your glass nearby, someone would let you in.
These kinds of events are full of discovery and it is not uncommon to discuss with other strangers which producers they find interesting. Toward the end of my time on the first day, I wound up chatting with someone from Boston who took me on a mini-tour of his favorite producers — all of whom I had missed during my own rounds.
Here are a few of my discoveries (and observations) from the two-day natural wine fête:
* As others have said about natural wine — there’s a lot of really beautiful wines. There’s also plenty of not-so-great natural wines in the world. But then again with taste as the ultimate subjective experience, take those words with a shaker full of salt.
* This was a good reminder to throw what I think I know about wine out the window. For example, there were some beautiful wines from Chile — usually a region I shy away from (just personal taste preferences), whereas I was disappointed by what I tasted from Northern Rhone (usually one of my favorite regions).
* It’s possible to grow grapes, and make age-worthy wine in Texas. Unfortunately if you want any of the wine, the only choice you have is to visit the winemaker’s tasting room.
* Fun celebrity sighting: Aziz Ansari. Not completely a surprise as he’s already noted for enjoying natural wine, but as a “Master of None” fan, it was a bit of a thrill to see him up close.
* The power of spitting during an event like this can’t be stressed enough. It’s the only way to actually enjoy all of the wines and be able to leave standing straight and in one piece. Taking breaks to get a bite to eat helps not just with keeping you from getting drunk, but also with palate fatigue.
* I wish I remembered my Spanish, or knew French, Italian, German or any other language. For those producers who didn’t speak English well, it would have been wonderful to converse with them in their language. You could see in their eyes and from the genuine smiles on their faces the love they had for their craft, and it would have been wonderful to indulge in more conversation with them.
So now the fun begins — trying to find these wines in the wild via retailers or restaurant wine lists. Until then, I can at least remind myself of how much excitement and happiness surrounded me in this Instagram I accidentally photobombed while leaving the Gut Oggau tasting table.
It’s a Monday night at one of the city’s newest wine bars and more than 20 locals have gathered around a bar with a renegade California winemaker to discuss spoilage and microbes in natural wines. If you think we’re in Brooklyn or Berkeley or even an international city like Copenhagen, Paris or London, you’d be wrong.
We’re here in Washington, D.C., the city not less than a decade ago where those selling wine were more intent on engaging clients like lobbyists or politicians who would seek out the most expensive Napa Cabernets or Bordeauxs as a means to impress.
But in the past few years, as D.C.’s food and dining scene grew (and as the lobbyists’ rules and bank accounts tightened), it makes sense that more diverse wine options would soon follow. A few key sommeliers started changing up their lists and introducing new regions and orange wine to the mix. Then in the past year, the momentum multiplied.
So on a Monday night, Dio Wine Bar – which is also D.C.’s only wine bar focused solely on natural wines – became home for Abe Schoener’s D.C. debut. His wines have popped up in the city here and there, and he’s visited D.C. before (he’s a former professor from St. John’s College in Maryland), but this was his first sales trip to actively promote his Scholium Project wines.
Rather than just tasting the three wines he brought, this was a nerdy discussion in the context of eight additional wines. (The line-up included wines by Spain’s Celler Jordi Ilorens, Beaujolais’ Julian Sunier, Loire’s Clisson from Jérémie Huchet & Jérémie Mourat and Champagne’s Charles DuFour.)
This was a smart move. I’ve seen other wineries – like RdV Vineyards in Virginia – provide tastings against similar wines from other regions. Not only does it give the tasters something to compare, but it’s a good teaching method and lends to a more memorable experience.
Several years ago the only people who may have attended something like this in D.C. were industry. Instead the sold-out event was comprised of enthusiasts, including those just learning about natural wines, and a few super-geeky types, like me.
While it’s certainly a sign of D.C.’s wine transformation, some of the participants noted it’s still difficult to find many of these wines throughout the city. Stacey Khoury-Diaz, Dio’s owner, suggested if consumers start asking for more of these wines, local shops and restaurants will begin to respond.
Capitalizing on the growing geekdom that’s here, this tasting was all about spoilage (and not necessarily in the negative sense of the word). Abe wanted to discuss the natural yeasty microbes which fight each other to eat the sugars and turn grape juice into wine during the fermenting process. He says that when the right microbes win, delicious wine is the result.
So when he was asked several times for his definition of natural wine, the closest he came to answering it was to suggest that the discourse in natural wine should not be focused on the means of production (everything from how to farm the vineyard, to more industrialized ways of winemaking), but rather on the chemistry of winemaking. For example, he’s placed his grapes under high pressure and used electromagnetic forces to create cross-flow filtrations in his winemaking process.
The more common answer from natural winemakers is usually about their yearn to translate the terroir (sense of place) into the bottle, their trials in avoiding filtering wine (not necessarily through scientific methods) and an argument over whether or not to use added sulfur.
But “scholium,” means “commentary,” and that’s what Abe was seeking to do when he first created the Scholium Project in 2006 after learning about winemaking during an internship at Stag’s Leap Wine Cellars and later from famed Napa winemaker John Konsgaard.
He says his wines can even been seen as his own commentary on some of the wines he enjoys, such as Cru Beaujolais and Edmond Vatan Sancerre. His wines are not supposed to be what you expect from California, yet they showcase some of the beautiful fruit coming from key vineyards and microclimates.
The three Scholium Project wines we tried included:
The 1MN Bechtold Ranch, a red wine made from 140-year-old Cinsault vines in Lodi, Calif. This was a fresh and vibrant wine exhibiting beautiful and tamed fruit. A light-bodied wine that indeed reminds you of something from Beaujolais.
And two Sauvignon Blancs – La Severita Di Bruto and the Prince In His Caves – which both come from Farina Vineyards on the east side of the Sonoma Mountain. The vineyard sees very little sun – only around noon – so the resulting wines are more in line with what you might expect from cooler climates.
The first had a very distinct smell of rotting produce – much like the spoilage Abe brought us here to discuss, but it eventually blew off and the palate revealed amazing acidity underneath a crisp minerality. If you’ve ever enjoyed a Vatan, you’ll understand and adore this wine.
The second wine, which spent more time on its skins during winemaking was a lusher wine with green vegetal flavors like asparagus and artichokes.
All three maintained significant structure and were well balanced – values Abe strives for in everything he makes and are not necessarily a hallmark of many natural wines.
While some like to define natural winemaking as a throw-back to past methods, Abe actually sees this kind of winemaking as post-modern and a way of looking to the future. The traditional methods still used sulfur or as industrialization came along, took advantage of what was offered. But today’s natural winemaking, he says, points away from the traditional and away from what’s expected.
It’s those expectations that Abe’s wines have successfully avoided. And thats what makes his wines absolutely fascinating to taste, and even more enjoyable to drink.
There’s never a bad time of year to jet across the country to visit California wine country, but one of my favorites is right before the holidays. Most harvest activities are over. The holiday craziness has yet to commence. It’s super quiet and if you’re lucky, the winter rains bring bright green cover crops in the vineyards just as the leaves – in their vibrant yellows, oranges and reds – start to fall to the ground (yes, there are seasons here!).
Without a particular mission (except any and all effort to escape my D.C. life), I set up shop at the bottom edge of Napa Valley – allowing easy access to downtown Napa, the length of Napa Valley and the roads leading to Sonoma (city, county and coast). By the time I turned in the rental car at the end of the week, the odometer had 626 extra miles on it.
Here are just a few highlights:
My first stop after checking into the hotel, was a brief visit to Cadet Wine Bar where local winemakerRory Williams of Calder Wineswas pouring flights. (Read more about Rory and his wines here). The small label focuses on local Napa varieties that have been there for decades but tend to get lost among the dense plantings of Cabernet, Merlot and more popular grapes. I tasted his Dry Reisling, Chenin Blanc and Charbono. All three were a nice a diversion from what’s typically expected in Napa. The Charbono was especially interesting. A bit brooding with dirty anise and dark fruit chased with black olives.
Complete with a “celebrity” sighting of one of the stars of the documentary Somm, Cadet was the perfect start to this trip.
In Napa Valley, I had only one formal visit set up – and that was to see Chateau Boswell, just off the Silverado Trail in St. Helena. While this boutique winery has been making wine since 1979, in the past couple decades it’s seen the addition of a beautiful cave and facility to make and store its bottles. It also recently added a new winemaker – Phillipe Melka (Food & Wine has a nice profile of him here). The winery was stunning. Behind big iron gates and beautifully landscaped grounds, the cave was cut into the bottom of a hillside that featured its Cabernet Sauvignon and Cabernet Franc plantings.
I sampled their Russian River Valley Chardonnay and 2014 Estate Cabernet out of bottle, and tasted a few 2015 Pinot Noirs out of the barrels. With a new winemaker now calling the shots, Chateau Boswell’s 2014 Estate Cabernet has pivoted a bit. Unlike previous years, the latest vintage blends in much more of the Cabernet Franc grown on the property (about 40 percent), giving it an elegant backbone. These wines work to strike a balance between having something that’s pleasurable now, yet can keep a structure to let it properly age.
My next set of visits, spanning a couple of days, were with winemakers I’ve come to adore during the past several years.
In Glen Ellen, a tiny town in Sonoma County, I visited Chris Cottrell of Bedrock Wine Co.He first took me into the famous 140-year-old Bedrock Vineyard. The old gnarly vines were absolutely stunning, and with the cover crops blooming on this fizzy gray day, the experience just standing there left me nearly speechless.
I’ve been buying wine from Bedrock for a few years now and always appreciated their approach to seeking out old vineyards to make their wine. But what I didn’t realize is that they’re not just seeking good fruit. It’s a mission to help change the farming culture so that these vineyards don’t disappear or get replanted with some other crop (recently going so far as to buy a vineyard). Using science as the basis for sustainable farming techniques, the Bedrock team is eager to help these old vineyards become prosperous again. Along the way, Bedrock creates 30 or 40 different wines. We tasted through a half a dozen – each one expressing beautiful California fruit with a balance of all those earthy morsels that transport you back to the vineyard.
While being outside in the vineyards is wonderful, it’s just as invigorating to meet with winemakers in their other natural habitat: inside the winery. That’s why visiting with John Lockwood at Enfield Wine Co. is always a treat. (to learn more, read this profile or listen to this podcast). He makes his wine at Punchdown Cellars in Santa Rosa, a custom crush facility which leases out space and equipment to winemakers. This is my second visit to Punchdown and it’s always fun to see the racks of barrels, the fermenting tanks and to taste wine surrounded by people getting their hands dirty and doing the work.
John set up his wines for me in a quietish corner and we went through most of his line-up. Whether it’s his Tempranillo, Pinot Noir, Syrah or Cabernet, his ability to translate each vineyard into elegant wines, made it difficult to not guzzle through each bottle right then and there.
From Santa Rosa, I drove to Sebastapol – which also meant guzzling through Enfield was not a viable option. But the restraint was worth it so I could visit with Katy Wilson. And while she was named a winemaker to watch in 2013, four years later, I’d argue, she’s still important to pay attention to. I’ve met her a few times at tastings here on the east coast, where she often pours her own label with the help of her dad. We met inside Claypool Cellars’s tasting room – a renovated train car inside a business and shopping center.
She makes wine for several labels including Banshee and Claypool, but it’s her own label, that I’ve always found swoon-worthy. Named for her grandmother, LaRue’s Pinot Noirs are some of the most delicate I’ve had from the Sonoma Coast. Katie creates wines that can still retain their power, yet showcase layers of refined complexity.
Its having these personalized tasting opportunities which make visiting wine country in December so special. The winemakers are generally relaxed and have the time to answer questions and discuss their passion. It doesn’t matter that the vines aren’t lush with leaves and bunches of grapes, or the sun isn’t shining, or if I’m standing in a tasting room with shoes still muddied from trampling through wet vineyards. That one-on-one attention creates the ultimate oasis.
Now that it’s nearly October, it’s time to book my next December trip! Cheers!
Right around the time my friends and I were sobering up from our 16-year verticle tasting of wines from Cathy Corison’s Kronos Vineyard, Dave McIntyre of The Washington Post, wrote in his weekly column, he, too, had recently tasted through 16 vintages of a particular wine. He said the wines in the tasting were “postcards from time,” and as one of his fellow diners told him: “I enjoy each wine less this way, but I learn more.”
Those are easy assertions to agree with and capitalizing on the learning and the understanding of time, is exactly why a year after my tasting group wrangled21 vintages of Corison Napa Valley Cabernet, we challenged ourselves to do it again, this time focusing on the Cabernet Sauvignon she made from her Kronos vineyard. (Ok, we may have did it for some bragging rights, too!)
The Kronos Cabernet comes from 45-year-old vines that are grown on Cathy’s St. Helena property. She and her husband farm the land, and since 1996 they have produced the single vineyard bottling of Corison Kronos Cabernet. The wines are more powerful than the Napa Valley Cabernet she blends from other nearby by vineyards. But true to her style, Kronos maintains her delicate signature style of winemaking, keeping the wines elegant and at a low alcohol level (about 13%). If you visit the winery for a tour and library tasting (which I strongly recommend), you’ll exit the back barn-like doors and step immediately into the Kronos vineyard, located on the Napa Valley floor, stretching about 8 acres back to the Mayacamas Mountains. Unlike many of Napa’s vines, this vineyard survived the 1990s phylloxera epidemic because the vines are on St. George rootstock, which is resistant to the tiny bugs. (For more on the vineyard, take a look at this profile Kelli White wrote in 2011.)
We modeled this year’s tasting after last year’s. There were a handful of flights with all 16 vintages of the Kronos Vineyard from 1996 to 2012. Each wine was poured blind, but each flight was loosely in chronological order from oldest to youngest. A few ringers were included in the mix including two pours from the same vintage – one from the top half and other from the bottom half of a magnum, and a few of the Napa Valley Cabernets were compared against the Kronos. We had two separate bottles of 2004, so those were poured in separate glasses, as well, making for an interesting lesson in bottle variation.
Just like last year, there were no clear favorites, but together, the 16 vintages told a bigger story – a consistent beauty was strung from bottle to bottle. It’s impossible to escape the violets, dust and undertones of herbal mints that at times mixed with some chocolate (Junior Mints, anyone?).
I hit palate fatigue before the final flight. Despite my best efforts to spit and snack on the cheeses and charcuterie we prepared, by the last flight, there was nothing but the violets, dust and herbal mints coating my throat (which is certainly not a bad thing!). But there was something magical going on in the early parts of the aughts. We were told that Cathy’s favorite Kronos vintage was 2001, but 2002 and 2003 were slightly lifted from the pack for me. Whether that’s because those bottles had the right amount of age on it for my personal liking, or it was something within the vintages themselves, it’s hard to say.
It’s worth noting, however, that thanks to a very cool and rainy year – and what Cathy has called a challenging year in the vineyard – the 2011 bottle was the very definition of letting a wine speak for its vintage. It tasted significantly older – maybe by a decade – than its actual year. A bit darker and more savory than the others, but still elegant and restrained. Emanating from some of the darker more savory notes were dusty violets, which reminded one of my friends of Choward’s Violet Mints.
Having the opportunity to taste through almost all of the Corison wines – both the Napa Valley and Kronos bottles – is truly an honor. While it’s obvious that aging these wines only brings out more complexity, more structure and more textured flavors, the trouble will always be not popping the cork too early, as they are certainly just as enjoyable now as they will be in years to come.
Earlier this week, Pineapple D.C. – a networking group for women in the food community who want to connect with the “good food” movement – hosted an interesting talk on natural wine with Lisa Hinton, the winemaker for Old Westminster Winery in Maryland.
That’s right. I said Maryland. And I said natural wine.
I must admit, despite knowing that wineries exist in Maryland, it’s not something that I’ve actively explored. Not to mention, I’m a bit skeptical when someone mentions natural wine in a region not heavily experienced with vineyards and wine. Good natural wines rely so heavily on its terroir.
(While there are a million definitions of natural, and much controversy within the industry, we can probably all agree that with “minimal intervention” – no matter what the definition of minimal may be – the wine must rely heavily on the quality of the grapes, which comes from the right kind of land and climate, right?)
Does that really exist in Maryland?
At the end this two-hour discussion and tasting, Old Westminster Winery convinced me the answer is Yes.
Old Westminster Winery is a bit different than other small wineries I’ve been introduced to so far. It wasn’t so much a love of wine that sparked the three twenty-something siblings to start making wine, but a love and loyalty for family. When their parents threatened to sell the farm they grew up in, the trio searched for a solution to hold on to the property in Westminster, Md., (about an hour northwest of Baltimore) and grow it into a viable business.
Lisa graduated college with a chemistry degree, while her siblings focused on business and marketing. After a bit of research, winemaking seemed like a logical use of their combined talents.
While they’ve planted and harvested grapes on their own property since 2011, Lisa said about 60 percent of their fruit comes from other Maryland vineyards. In the future, that may change a bit thanks to the purchase of the Burnt Hill property in Clarksburg, Md. The land was sought out for its particular slope and soil composition.
Lisa said they’re planning on farming the land using biodynamic methods, in part because they believe in giving as much to the land before starting to take from it.
The winery has focused on making natural wines since its inception. Lisa said she defines that as low intervention wines that express both the place and time that they came from. She believes both natural and added sulfur are necessary in making wine to ensure it doesn’t turn to vinegar, and acknowledges other winemaking techniques are needed from time to time to combat mildew, mold or other issues that can vary vintage to vintage.
Perhaps the growth is hinged on the increasing success of Virginia wines? Lisa noted that the mid-Atlantic has similar climate conditions as Bordeaux, which makes growing varieties like Cabernet Franc, Cabernet Sauvignon viable. Old Westminster Winery has also had luck Alberiño (a white Spanish grape) and even bringing Barbera (an Italian variety) into their red blends. The Maryland Wine Association also noted Maryland can be compared to the climates of Portugal, Spain, Southern Italy and Greece (that would make sense why the Alberiño and Barbera do well!).
During the talk, we tasted one made from Syrah grapes. The cloudy peachy pink juice’s fruit rose above its effervescence backbone, making it a little too easy to drink. The other two wines poured that evening were the 2014 Anthem red blend, with a mix of Cabernet Franc, Cabernet Sauvignon and Syrah and the 2014 Channery Hill, which blends the same three grapes, with some Barbera. Both wines had a nice amount of dark fruit, a bit of anise and some slight minerality if you paid really close attention to what you were sipping. Channery Hill was slightly lighter with a bit more acid (I’m guessing we can thank the Barbera for that).
Old Westminster’s production numbers per variety are low: No more than 100 cases of each wine are made. And most are sold through their wine club or people or visit their tasting room. Experimentation remains a top value for the young winery. For example, this coming vintage, they plan to leave their wines unfiltered. If it doesn’t work the way they like, Lisa said, they’ll go back to using filters next year. Their mission is to learn how to best express the Maryland terroir.
I asked Lisa if there are any winemakers or wineries that inspire their work, but she wouldn’t answer with any specifics. She said while there are many wines she enjoys drinking, she knows attempting to mimic any of those traits would be futile to creating wines distinctive of time and place.
I’m long overdue for a post and have much to write about (including a recap from a week-long visit to Napa and Sonoma), but I wanted to get in here before the year ends to drop off this collage of some of my favorite wines from 2016. As easy as it is to bemoan the state of the world, it should be just as easy to keep thinking about the good moments. And that’s where wine fits in. Behind each bottle is a memory, a curiosity, something beautiful, a friendship, an experience. There’s talented artistry under each cork, along with a mystery and too often than not, a lot of smiles and laughter. These were only but a few of my highlights (and in no particular order). Thanks for joining me on this continuing journey, I promise to be back in 2017 with even more wine musings.
If Tuesday night promises to be as topsy-turvy and obscenity inducing as the entire 2016 election cycle has been, then you’re going to need something to drink to make it through a long night of news watching, punditry, state-by-state results and twitter streaming.
But while campaign season is known as the race to the White House, you’ll need to think of this night as a marathon –so hold off on the hard booze right now. Thankfully, wine promotes just the right amount of anxiety-reducing and calming effects to let you make it through
whatever may happen. Let’s be honest, we’re all in need of *something* to soothe our souls.
In a world of no-hangovers and no-limits, here’s how I might pair wines with election night. In reality, I’m just hoping to provide a little inspiration:
Start with something light, low alcoholic and slightly celebratory. It’s better to have some optimism at some point, than none at all. Consider a fun Pet-Nat. In my fridge, there’s a 2014 Cruse Sparkling Valdiguie that has just the right amount of fresh fizziness and bright red fruit. With energy running through its spine, it’s lively and easy to drink.
If Pet Nats aren’t your thing – try a crisp dry white (I recently had a Lieu Dit Sauvignon Blanc which would work well). Bottom line: Now’s not the time to be too
serious with your wine. We’ve got a long night ahead of us!
When results start trickling in and your heart starts palpitating, grab your favorite red – it could
be anything that makes you happy – but seeing we’re unsure of where this night may go, I’d probably stick with something not too heavy. A favorite Pinot Noir or Rhone-style wine might do.
During the debates, I sipped a bottle of A Tribute to Grace Grenache. The combination of red berries and herbs warmed my soul despite the verbal jabs happening on the TV screen. At the very least, just knowingvyou’re drinking something with the word “grace” in the name may
psychologically bring about some calm.
If you want, take it a step further and open up a bottle of Hope & Grace Pinot Noir.
These California pinots consist of lush dark fruit and strong finishes. By this time in the evening, you can only hope with a little bit of grace, that your candidate will have a similar finish (see what I did there?).
For the next bottle, it’s time to get a bit more serious – especially if you don’t know when the final results may be called. If the night is getting rocky, the absolute perfect pairing would be Dirtyv& Rowdy’s Fred & Dora’s Vineyard Petite Sirah, but the 2014 is still too young and a very heavy decant is needed. Take a look at part of its description from the Dirty & Rowdy site, and you’ll see why it might be worth uncorking this on Monday and have it waiting:
“If you keep with it for few hours or visit on day two, the gentle
fruit begins to rise above the graphite and rocky sub-surface and you will discover that even gnarly soils have their lullabies.”
Perhaps the same can be said about the aftermath of this election season?
Or, for something a little more accessible, seek out a bottle with some age on it so that the tertiary flavors and earthiness rise quickly to the palate. You’ll need those to help keep
you grounded, while the older vintage will help hearken back to happier times when election day didn’t quite feel like a doomsday event.
Finally, when the results are in, you have but two choices: Pop some Champagne to celebrate and breathe a sigh of relief, or now’s the time to reach for that hard booze – whatever it will take to get you through the next four years will do!
Twelve vintages ago, Matt Licklider and Kevin O’Connor began making vineyard-driven California wines, seeking lower alcohol and European styles to get away from the bigger-is-better approach that California had become known for. This was seven years before the In Pursuit of Balance team started widely promoting this style and there was plenty of uncertainties of whether local consumers would take to this style. For Matt, then a distributor of European wines and Kevin, the wine director at Wolfgang Puck’s Spago, moving forward in this
direction was a gamble.
That gamble is paying off as Lioco wines can now be found as far away as Japan, and are distributed across 30 states within the U.S. The wines, which include Carignan, Chardonnay, Pinot Noir and Syrah are made of fruit purchased from distinguished vineyards from such places as the Sonoma Coast and Mendocino. With an intense focus on cool climate and picking early enough to retain the fruit’s acidity, these aromatic wines showcase its terroir and are created to pair with food (although for any wine geek, these wines on their own provide quite a bit of intellectual fodder to enjoy on their own).
To show off the wines, Matt together with Andy from MacArthur Beverages hosted a wonderful
four-course dinner at Black Salt in the quiet Palisades neighborhood (Did you hear that California winemakers? Matt hosted a dinner here in D.C.!! It was successful, you should follow his lead 😉 )
Pairings included the Indica Carignan Rosé (Mendocino, 2015) with salmon tataki with pickled melons and citrus aioli (this is one of my favorite rosés and the pairing created a seamlessly fresh experience of flavors):
Estero Chardonnay (Russian River Valley, 2014 ) with Chesapeake chowder (during the dinner, Matt told us he saw the Chardonnay as that bit of lemon you squeeze over your fish):
Cerise Pinot Noir (Anderson Valley, 2013) with duck bolognese (our table of six snuck in a bottle of 2012 Lioco Hirsch Pinot Noir to try side-by-side. The Cerise was full of really bright fruit, while the Hirsch showed off its herbal spine ):
And lastly the Caleta Syrah (Santa Cruz Mountains, 2014) with braised beef short rib (I honestly can’t tell you much about the pairing as the Syrah on its own blew us all away. This is not your typical California Syrah. At 11.9 percent alcohol, the wine can best be described as a yin and a yang: brooding and dense on appearance but with an elegant palate more reminiscent of the Northern Rhone):
I’ve been a fan of Lioco wines for a while, so it was a real treat to have Matt here in D.C. A big thank you to him, Andy and Black Salt for the superb evening! I was at a table with five other friends, and as is usually the case, combing good friends while sharing delicious wine and food, in the presence of talented individuals makes for an evening that will be impossible to forget! Cheers!